You probably know me well enough by now to realise that I can’t resist interiors that have been designed around textures. Exposed brick, combinations of timber, metal finishes, concrete… throw texture into the mix and I’m sold. This warehouse conversion on Warley Close in London’s E10 is on the market with The Modern House and offers a striking example of how to use textures – both existing and new – as the foundation for an interior. This former industrial space has been redesigned and adapted for the current owners – a photographer/filmmaker and a musician – to create a flexible home that combines live and work spaces. Arranged over three levels, the scale alone is striking as there’s over 2,200 sq/ft of space here.
I’ve been wanting to introduce some dog-related content to Copperline for the longest time, but one thing has always held me back: how do you feature canine products on a design blog without them looking out of place? But to me, I don’t separate interesting design for dogs from interesting design for a home – interesting design, well considered design, design that engages you, that marries form and function – it’s all relevant, regardless of the end user. And, obviously, the things we buy for our canine companions are also the things we’re using, or living with, every day.
I must admit, up until recently I wouldn’t have looked on cork as a must-have material from a design perspective. But then I started coming across cork used by designers as an alternative to leather (something I’m always interested in) as with the Canadian brand Matt & Natt, who fashion cork into bags and clutches as part of their fantastic vegan collection, and most recently with the Australian brand Herzog whose very cool cork collars are on my wishlist for Harris.
And now there’s a new cork product range to add to the interiors wishlist. The Cork Collection is the first range to be launched by the new British lighting brand NOVE. NOVE was founded by the interior stylist and designer Kirsty Saxon, who has combined cork with solid brass elements to form a beautifully refined and elegant collection that includes The Marbled Wall Light, The Marbled Pendant, and The Marbled Light.
I’ve been an admirer of Soo Burnell’s photographic prints since she launched her first collection three years ago, and of her typography prints before that, but also I’ve known Soo for years as we’ve worked together on interior features for magazines, before Copperline was born and before Soo launched SOOuK in 2013. Soo’s latest collection of photographic prints blew me away when I first saw them, and while you might expect me to say that about a friend’s work, really, they did.
I love the concept of poolside and Soo’s approach to the architecture of Edinburgh’s historic swimming pools, from the striking geometry to the dreamy colour palette, to the beautifully simplistic and minimal placement of figures within the spaces. Even after living in the city for years, I’ve never seen inside these public swimming pools, and am amazed by the detail of these ‘hidden’ spaces.
When I look at this house, just as a set of photos without any of the accompanying details, I’d never guess that it was located in London. From the choice of materials to the quiet restraint of the design, to details such as the pebbled courtyard garden, I visualise this house in a much less urban setting; a peaceful place away from the hustle of the city.
Yet this house sits on Tiverton Road, between Kensal Rise and Queens Park in London’s NW10, and this ‘quiet’ design offers a respite from the urban environment that extends out beyond it. Currently on the market with The Modern House, this property is described as a ‘monastic oasis’, and I can’t think of a better description for a design as pared back and beautifully simple and thoughtful as this.