Designer, author and photographer Claire Lloyd is passionate about light – as she writes on her website, ‘Light makes my spirit soar’ – and this is evident in Claire’s approach to each interior project, from her light-filled Greek island home, which was the subject of her 2012 book entitled My Greek Island Home, to this minimal mews house in London’s Notting Hill which Claire redesigned completely (she has since sold the property), photographed here by Nathalie Priem. From her early career working in art direction for magazines including Australian Vogue, to more recent work as an author of two books – her first, Sensual Living, was published in 1998 – Australian-born Claire’s eye for simplicity and refined detailing has resulted in interiors with a beautifully understated and quiet aesthetic.
I’ve seen a number of shop conversions over the years, from a compact split-level studio space in Edinburgh’s Stockbridge area to a fantastic industrial-style loft space by Holyrood Park, and each has demonstrated ingenious ways of dealing with the spatial challenges of working within a former commercial space. How do you create a functional and desirable living space when you have limited light at street and below-street level?
This two bedroom property on West Annandale Street in Edinburgh – which has been marketed by Smart Property with photography by Dave Morris – caught my eye as, when faced with these same challenges, the owners, architect Tim Bayman and Lizzie Elliott, have created a dynamic interior that works both as a home for their family and as a work space for Tim.
Back in February 2015 I wrote about a house at 47 Old Church Street in London’s Chelsea that had been completed by the design studio and developer Echlin – you can find the accompanying Steller story here. It was a stunning property, and at the time I wrote: ‘This interior reminds you of what luxury really looks like: exquisite materials and detailing with a strong sense of craftsmanship, with some knockout features… and a floor plan conceived to enhance the space and flow and light.’
Two years on and I’m delighted to be sharing another project by Echlin that reflects these same qualities of craftsmanship combined with an impressive use and flow of space – with all photography by Nathalie Priem. Continue Reading…
It’s funny how some properties – and some developments – just connect with you. Years ago, way back in 1999 – and yes, I can barely believe it was so long ago! – I visited this loft development in Edinburgh’s Leith area. Named Leith Lofts, the project architects, Duffy & Batt (since reborn as Studio DuB) converted two former B listed whisky bond warehouses on Maritime Street in the heart of Leith to create 28 apartments. Buyers had the choice of purchasing a shell where they could fit out the interior themselves, or buying a completed apartment. Over the years I’ve written about a few of the lofts, and each has been interesting and unique, not only in terms of the individual spaces but also in the way each owner had interpreted and worked with the characteristics of each space.
Looking through the photos of this five bedroom house designed by John Pardey Architects, you would be forgiven for thinking that this home was in, say, California, with its flowing open plan living spaces and light-filled interior thanks to the walls of glazing, not to mention the incredible open views. But this house is on Withdean Road in Brighton, and those views stretch south across the city to the sea, and east across the South Downs.
I spotted Llewellyn House while scanning through the Australian Interior Design Awards – a great source of inspiration with literally project after project of incredible looking houses – as it was shortlisted in the Residential Design category for 2016. The image above (by photographer Brett Boardman) caught my eye – the brick, the sliding screen that opens up that entire elevation, and then the moody hues of the interior of this space with its rich timber finishes. What’s not to love?